33. Charlottenburg Palace

The Fox, The Folks | Indonesia

A sleeping forest, veiled in silver moonlight, guards its secrets in stillness. From the night, a radiant sphere descends, an ember of inspiration, stirring quiet eyes and coaxing faint light from the shadows. A butterfly, born of transformation, carries this glow to the heart of stone, where a great flower bursts into bloom. Its light unfurls across the walls like ripples in water, awakening vines, blossoms, and glowing life long forgotten. The facade becomes a living paradise, a chorus of color and breath, where all things hum in harmony. And when the brilliance softens into a cosmic night, its glow remains, a quiet promise that beauty, once awakened, never truly fades.

ANIONA VISION| Romania

PLAY is a work about rediscovering color as an emotional state, a movement, and a memory. Inspired by the free visual language of childhood and the avant-garde aesthetics of the early 20th century, the animation unfolds as a continuous transition—from the shadow of a forgotten building caught on vintage film, to a fluid chromatic choreography, and finally to a moment of synthesis where each color becomes an emotional tribute—an act of artistic remembrance.

RE:SORB | Germany

„The Cathedral of the Infinite Scroll” is a large-scale projection mapping work that transforms the façade into a luminous altar of data and algorithms. What begins as a radiant cathedral of likes, feeds, and notifications soon spirals into the hypnotic loop of the infinite scroll, where even a human hand dissolves into pixels as it touches the surface. The overload collapses into darkness, giving way to organic waves of living light that pulse with breath-like rhythm. The piece reflects on our devotion to machines, the loss of human presence in the attention economy, and the possibility of renewal beyond the algorithm.